Monday, July 31, 2006

electrolytes

It is hot. Duh.

Here is my money making idea for Fringe...or any theatre that has shows that perform in a space that becomes a trifle warm in the summer (cough...Rorschach). They cost $.33 a piece to make, you could charge a dollar each. Put your season on it, your website, whatever. It keeps you cool and serves as a marketing tool. Folks would be happy to by them.

Free Image Hosting at www.ImageShack.us


I walked through the muggy heat to H Street Theatre yesterday and sat in the hot, hot heat watching the beautiful Shadows, a dream within a dream. The puppeteers never broke a sweat, but not for lack of commitment. I think they were simply not bothered by the swelter at all.

Luna Moreno embraces their style of puppetry with deliberate and studied movement. Their piece is chock full of lovely moments, simple and powerful technical elements and fluid performance. I loved how they had the puppets recognize their puppet masters. The look shared between the puppet and its puppeteer was eerie and powerful. It gave more life to the puppet and established a relationship between the two that seemed as if they were of one mind. Which of course they are, but that convention allowed an escape - to believe the puppet a sentient being who understood that the world was beyond their control.

It is how I feel all the time.

Wednesday, July 26, 2006

negotiations

Small: You be the farter machine.

Smaller: No I am a burper machine, you are the farter machine.

Small: I don't want to be the farter machine.

Smaller: But you fart the most, and I burp the most.

Small: Your right. Let's get our machines ready.

Friday, July 21, 2006

ozone money

DCeiver discusses the Examiner's take on the $1.5 Billion dollar for Metro.

Briefly - the Examiner proposes how horribly wrong it is for the Federal government to give money to Metro, that it is elitist, and that it will force the states involved (Virginia & Maryland) to raise taxes to foot their end of the deal. DCeiver covers all this, with his own wonderful panache, much better than I could.

What I would like to add is this.

The Federal government should give $1.5 billion to Metro, because in doing so they will finally be taking a step toward funding that helps our environment.

As I have said before I will pay more taxes. Examiner needs to get over itself.

surry on top

Fringe shows that I am definitely going to see:

Lunch
Pretty Theft

Shows I will most likely see:

Bartleby
Luxury Lofts Coming Soon!

Shows that I want to see, but may not make it to:

Giselle Must (Not)Die
Suite Earth

Thursday, July 20, 2006

shiny battered city

I have been tap dancing around the issue of the current mideast crisis. It is namely because with my family so involved, objectivity gets dwindled away at times to make way for numerous phone calls. So far, my family is ok.

The Muslim world is constantly struggling with its identity. It wants to be modern and conservative at the same time. The world gets caught up in this search for self and the south of Lebanon is in the thick of it.

It is excruciating to watch the toll that the Israeli attack is having on Lebanon. Hezbollah made such a massive error by the incursion and kidnapping that began this all. Where did this idea come from? This thought to take a hostage? Were they coordinating with Hamas? I doubt it. Now, as is the same with all forms of warfare, it is the innocent civilians that are paying the price.

Hezbollah should have been removed long ago. When Israel vacated the south of Lebanon, the Lebanese government, or the U.N. should have stepped in to fill the void left by the Israeli army. When they left Hezbollah moved right in and unfortunately they have wreaked as much terror on their own country as they have on their enemy. In an ideal world Israel and Lebanon would work together to get rid of a terrorist group that neither of them want. They would form a coalition to keep the politics of Syria and Iran out of their countries. But the age old feud between the nations of Islam and Israel will not allow this to happen. Lets not forget that within the Muslim/Jewish feud there also exists the Shiite/Sunni feud. This too, is so unsettling because of the amount of bloodshed that it creates within the nations of Islam.

It seems at times that the Sunni/Shiite struggle mirrors the history that Christianity went through. I could say that the struggles between Catholic and Protestant are centuries old, but Northern Ireland is only tentatively coming out of that only now. Man's struggles - Man vs. God, Man vs. Nature, Man vs. Man. They have it all covered. As if it is not enough work to irrigate the region, they have to keep blowing it up. How is one supposed to grow a grove of olive trees let alone an olive branch?

Is Islam's main identity crisis a question of religion? I think so, I think it ties in to the clash of modern and old world, of westernization, and of being cut off. Beirut had become a very modern, westernized city. With the opening of it airport less than a decade ago, Beirut was now a tourist attraction. Think of it, a beautiful, sparkling city, on the coast of the Mediterranean. A trilingual country, full of culture, amazing food, stunning history and with little reminder of the wars that plagued the area years ago.

It may be that the only way to stabilize the region is for Israel to get rid of Hezbollah. My fear is that they will kill so many civilians, they will scar the country, and when they are done, it will be an easy target for extremists to come in and exert control over the region - unless the country's own government emerges as strong and legitimate.

Sounds familiar doesn't it?

Monday, July 17, 2006

bread and butter

I take no issue whatsoever with Bush saying shit in regards to the current crisis in Israel and Lebanon. I know that the entire mideast tumult makes me want to shout expletives on a regular basis.

My issue is with the attitude and tone of the conversation. As he blithely talks away while eating (and talks to a PM with his mouth full), he seems to dismiss any weight of the topic. He oversimplifies and seems completely unaffected by the severity of what is happening. He never really turns to face Blair at any point during their exchange. It is also fairly nauseating to hear the tenor of Blair's entreaty about what should be done. He seems like he is trying to please the playground bully, and Bush mollifies him with a 'I told Condi your idea too' wave off.

Blech.

Friday, July 14, 2006

five, six, seven, eight

It has been a great long while since I have been on the production team side of a show. I am choreographing a piece right now. It is good for me. I have not danced in about 6 months and my muscles had started to atrophy. After only one night of rehearsal my quads were screaming at me. So sad is my muscle tone.

I have taken mental note of the fact that I slid right back into my authoritative persona when working with the actors. When you are on actor side you get to have the multitude of little jokes, the half conversations between work and the ability to stray for a moment, because SM or Director or ...Choreographer will snap you to.

I warned the director, prior to doing it, that I was not 'fun hpmelon' when put in the role of choreographer. I said that I tended to be a lot of business. I try to keep it light, but there is always so little time and so much to get through, that I will eschew small talk for directness.

To top it off, the cast is funny - very funny and not just as individuals, the show is funny as well, so the ability to get things done is also at the whim of the gods of comedy. As it turned out, they were great. The pieces I was brought in to work on, look sharp and we accomplished them in record time and they made me laugh while doing it.

Short and sweet.

Monday, July 10, 2006

monday frivolity, or i can't talk about the war today

This past weekend I was rushing to and from my car to feed the meter and on my way back, to a rehearsal I was late for, I got stopped by two preteen girls who asked for my autograph. They were very giggly.

Girl 1: Excuse me, could we get your autograph?

Me: (completely confused) Who do you think I am?

Girl 2: I told you it wasn't her!

Girl 1: Oh my God, I am so embarrassed!

They run away.

Me: Wait! Stop! Who did you think I was?!


They kept running, and I was late, so I never got to find out who they thought I was. When I was young, people told me I looked like Melissa Gilbert. As an adult I have gotten the following:

1. Sharon Stone (when I was blonde)

2. Jullianne Moore

3. Catherine Keener

and, this past weekend, from one of the actresses at rehearsal I told about my mistaken identity moment...

4. Nicole Kidman

Does anyone else out there get compared to famous folk? This inquiring mind wants to know.

Thursday, July 06, 2006

you talkin' to me mcarthy?

The Fourth of July made me feel exceptionally un-American. The only moment of note was when I was trying to edge my way through a crowd and the National Anthem started playing, at which point a security guard literally yelled at the crowd "Stand up!". It was not the slow rise of the crowd that offended me, but the militant bark from an armed guard commanding everyone to do so.

I also realized that patriotic songs have become a din that is so grating on me I cannot muster even a slight smile. It is bad enough that I have to hear I am Proud to be an American, in every musak, sappy remake they can think of, but I have to hear them, year round with the same frequency that holiday songs are heard from October through December, and it is all because we are post 9.11.

I am tired of the term 'Post 9.11'. I am mostly tired of it because it is being used to explain every ill of society. Like we , as a people, do not have enough depravity within us to create problems without terrorism as a catalyst?

It seems very en vogue to grapple with terrorism, to wallow in it. I want to smack the repective public upside the head and yell "We have no idea what terrorism is!" The past couple years have been a torrent of 'ripped from the headlines' television dealing with terrorism, but I only recently realized how saturated my theatre experience had become with this subject this past year. I have seen, or been a part of at least a dozen shows that have wrestled with the issue. Some were great pieces of theatre, but in my present frame of thought, the theatricality of it is paling in comparision to the realization that as a community we chose to set our artistic sites on being held hostage. Is it because we are in DC, the epicenter of fear mongering? Is it because, although we had a horrific induction into large scale terrorism, we just don't really know what it is like?

Modern day America has so little experience with terrorism, that it's constant use as an excuse has me disgusted. We are insulated. We take our one experience and keep it aflame. A new age 'never again'. But it is not like that. In Iraq, civilian deaths are numbered somewhere between 38,000 and 43,000. Civilian deaths. Current day America has no concept of loss on that scale. We have not lived through anything that remotely compares. I feel two faced for being American.

I recognize that we must be wary of terrorism in the same way that I am wary of walking to my car alone at night. We have to be smart. We have to outsmart. We have to be cautious and aware. We do not need to bury oursleves in a hostage mentality, it feels cheap to do it in the face of those who actually live it. It is not ours and I hope it never will be.